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Open Vase 0115, ca. 2015 Copper, Iron, 70 × 62 × 62 cm

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Jar with Cracks 0116, 2016 Brass, Copper, Iron, 49 × 34 × 34 cm

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Jar with Cracks 0116, 2016 Brass, Copper, Iron, 47 × 45 × 45

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Fill and Empty 0118, 2018 Brass, Iron, 27.5 × 27.5 × 27.5 cm

Jar with Cracks, inspired by white porcelain moon jars from the Joseon Dynasty, clearly demonstrates the artist’s adeptness at creating two-dimensional planes by intricately connecting a number of fine metal lines and developing them into three-dimensional objects. Unlike a traditional smooth-faced moon jar, his metal jar is composed of numerous cracks and gaps between metal lines, thereby communicating the significance of emptying and filling.

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Open Vase 0417, 2017 Brass, Copper, Iron, 30 × 21 × 21 cm

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Open Vase 0717, 2017 Brass, Copper, Iron, 22.5 × 23 × 23 cm

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Fill and Empty 0517, 2017 Brass, Copper, Iron, 12 × 50 × 50 cm

Welding long stripes of metal and then bending them to create basket shapes, Woosun Cheon takes his time to create large vessels. He is inspired by Korean ceramics of the Joseon period and based on them he creates unique pieces. The surfaces of the metal is treated in such a way that a rustic effect is created. This is then polished and refined for the final finishing touch.

Cheon Wooseon (b.1976), who studied metalwork through graduate school at Kyonggi University, has gained fame as the winner of many art contests, including the Special Prize at the 2013 Cheongju International Craft Biennale, and as a featured artist at various art fairs.

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Artistic Stratum B1/4B4/1B1/4, 2016 1000 sheets of tissue paper, porcelain with stain, 18 x 13 x 17 cm

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Artistic Stratum B1/4R4/1, 2016 1000 sheets of tissue paper, porcelain with stain, 21 x 19 x 14 cm

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Artistic Stratum B4B1, 2016 1000 sheets of tissue paper, porcelain with stain, 11 x 13 x 21 cm

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Artistic Stratum BG4-3W-1, 2016 1000 sheets of tissue paper, porcelain with stain, 11 x 10 x 11 cm

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Artistic Stratum 2014, 20 X 20 X 12 cm

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Artistic Stratum 2014, 20 X 20 X 12 cm

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Jongjin Park received his MA in Ceramics at Cardiff Metropolitan University, and is currently pursuing a PhD in Ceramics at Kookmin University, Seoul.

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Jongjin Park’s pieces are made using a technique Park stumbled upon while researching his Master’s thesis at Cardiff University. By painting clay slip onto pieces of paper towel, layering them, applying pigment and then firing them at 1280 degrees, Park creates a masslike trompe l’oeil.

The resulting objects not only mimic the appearance of wood, they’re also strong enough to withstand typical woodworking tools, like an electric sander or a Dremel, which allows Park to create the container-like pieces. In some of the work, Park binds as many as 1,000 sheets together that can take up to three days to create. The integration of paper in his work allows the ceramic to imitate another material.

Jongjin Park

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Movimento invisibile. 2017 59 x 28 x 28 cm

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Sfera di Memoria

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Sfera di Memoria. 2016. 23 x 19 x 19 cm

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collaboration with Lotte Thuenker

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Inizio della vita, 2017. 33 x 25 x 21 cm

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La eessenza, 2015. 74 x 22 x 21 cm

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La vita

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"Allora l'Eterno Dio formo' l'uomo dalla polvere della terra, gli soffio' nella narici un alito di vita, e l'uomo divenne un'anima vivente" 7; 2 Genesi

Tutto cio che ha in se' un soffio di vita hanno una propria energia. noi la prendiamo e trasformandola, ne creiamo una nuova. Il mio lavoro vuole rappresentare l'energia invisiblie presente in questo fenomeno, che si attua tramite un processo perpetuo e circolare di generazione e scissione.

Nato a Buan, Corea del Sud1977 Inizio studi presso Universitá di Dong-A (Corea del Sud)1996 Diplomato presso Accademia belle arte di Carrara (Carrara, Italia)2012

Kim Sung-il







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