LG KE800 Chocolate Platinum a improved version of LG Chocolate

LG releases a much improved chocolate by the name KE800 Chocolate Platinum.  LG upgraded the chocolate’s GPRS to EDGE, the second generation of the popular stylish phone. But the EDGE is not the only new feature – the phone has doubled the internal memory (256MB instead of 128) and has microSD slot for memory in addition. The old 1-megapixel camera is improved to 2-megapixel one with auto-focus and macro mode, and FM radio is added in addition to the music player, with the phone now supporting stereo Bluetooth.The main drawback of the phone will be its tri-band frequency support, which doesn’t make it fully usable in the States, where its CDMA version is exclusively available from Verizon Wireless. It now has much slimmer profile of 9.9mm (0.39”) instead of 15.2mm (0.6”) which is 35% slimmer

LG Mobile

MIT Media Laboratory, Cambridge, MA. October 02 - 31, 2001. 
The Kitchen, New York, NY. November 30, 2001 - January 15, 2002. 

Alternative Autobiographies explores Richard Kostelanetz's long-time interest in describing a life—in this case, his own—in books and electronic media in ways other than chronological, continuous narrative. By bringing these elements together as never before—to be read, projected, heard, and seen—a truth and completeness is (perhaps) realized that was impossible in continuous prose. 

The window is the metaphor for which the writer looks out onto the world. The writer looks out the window, only to realize that he must negotiate with the social world. His work, his thoughts are inspired by his social ties. Yet, the writer separates himself from the world to realize and believe his truths and rhythms. The visualizations are drawns from Kostelanetz's compilation of his social contacts.

Hyun-Yeul Lee  MIT Media Laboratory in the Media Fabrics Group (formerly known as the Interactive Cinema Group). Glorianna Davenport, Bill Mitchell, and Gordon Bell served as my thesis committee members. My research and interests focus on how "storiedness" can shape the design of our built environment and experiences.

Ketchup Organs, 2005 Acrylic on wall Dimensions variable

Mandu love, Fire love

Baik’s paintings are rhythmic explorations of form, occupying a zone between the figurative and the abstract. The artist’s activities within the fields of music, poetry and film point to an instinctive defiance of boundary and constraint. We find within his work what appears to be a direct access to the subconscious, similar to the process of automatism. Internal conflicts are exteriorised in the form of a rush of colour and abstraction. Out of this tumultuous mindscape may appear figurative forms and human features. The explosive colour schemes and morphing of figurative and abstract forms give the paintings a transformative power.

Baik Hyunjhin is a musician-cum-poet-cum-artist. As an underground musician, he has been highly renowned for his experimental and unique music & performance in organized in 1994. Until now, UHUHBOO has distributed 3 music albums including soundtracks for important Korean films.


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