pattern / wallcovering design + installation
'100% EAST 2006’, London, 2006.9.21 ~ 9.24



This work, called ‘Ola’ means a ‘Wave’ in Spanish, and it is intended to sound like ‘Aura’.
I tried to make a continuous moving space, and ‘Ola’ is the first outcome. - Jangsub Lee



Roomscape
 choi junghwa, choi mikyung, nami makis



Choi Mikyoung from the furniture brand Roomscape planned and produced it. Like the motto of Roomscape that it was - 'spaces expressing the personality of life' - three artists of different personalities participated in the event.



Choi Mikyoung combined a realistic and traditional image with the Roomscape furniture as a concept of media conveying a past motive, while Choi Jeonghwa introduced a series of sofas and public chandeliers of diverse textures, while maintaining the basic furniture framework in terms of functions and forms. On the other hand, Nami Makishi produced some formative shelves relying on or attachable to the wall as a series of her hither-to office lines.


E-MOMM - The Development of Contemporary Tableware in Korea



A Collaborative Project to Develop a Tableware Brand Appropriate for the Korean Life Style and Diet, including an exhibition organized by the Ewha Ceramics Research Institute at
Ewha Womans University, Seoul, Korea.



The Objective of Organizing the Emomm Exhibition

The past twenty years has seen a considerable change in the ceramic tendency within the contemporary ceramic movement of Korea. Although the Korean tradition and custom is deeply rooted in the Korean mentality, most people today have been influenced by the abundance of imported utility wares found in our current ceramic market. In general, most Korean people possess at least one type of traditional ceramic ware – be it a celadon, buncheong, onggi jar, white ware. Yet despite such phenomenon, more and more people are turning their eyes towards purchasing imported ceramics in the likes of Royal Doulton, Wedgwood, Rosenthal or Royal Copenhagen. The last ten years has seen an increase in preference towards such imported ceramics.







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