During the last week of August 2012, German painter Hendrik Beikirch, created not only a stunning work but an iconic piece that stretches over 70 meters (230 ft.) high and is yet to be considered as Asia’s tallest mural. Located in South Korea‘s second largest city, Busan, this piece showcases a monochromatic mural of a fisherman, set in contrast with the Haeundae I’Park building at the background, constructed by renowned architect Daniel Libeskind.

The Haeundae I’Park is a residential building and is also a symbol for the rapid development and accumulated wealth in Korea, a poor country not too long ago. The mural that depicts an image of a fisherman represents a significant portion of Korea‘s population that has not been affected by the economic growth and until now, lives under very different circumstances compared to their affluent neighbors.

Responsible for this project is Public Delivery, an organization who has made waves across Asia and Europe through the promotion of contemporary art.

Hendrik Beikirch



The Forest in Glasgow's Park I, 2011-2012, Oil on canvas, 105 x 161 cm



The Forest in Glasgow's Park I (detail), 2011-2012, Oil on canvas, 105 x 161 cm



Iceland Landscape I, 2010, Oil on paper,  60 x 74.5 cm ( include frame )

I am interested in capturing the fleeting moments of the uncanny as I experience it during my daily life and travels, when it changes familiar scenes into something special. During my stay in Glasgow, the changeable weather allows me to perceive various appearances of the same place. Intervals of sunshine during the many cloudy days in this city allow me to experience stronger sensations of light and colour, in ways different from Seoul. I have recently tried to capture these unfamiliar moments and to compose my memories into a pictorial space while meticulously exploring different elements of painterly language.

Hyojun Hyun was born in Mungyeong, South Korea in 1983. He received a BFA in painting in 2009 from the Hong-Ik University, Seoul. He is currently working in Glasgow, UK

'floating world' , 'photosynthesis' , 2012 fibers, papers, stainless steel, china ink

The themes of my work are always related to culture and nature.

In my earlier three-dimensional works, I would create images like huge stones floating in space or waterfalls or unknown creatures. However, I now want to experiment with installations that connect more positively with both nature and human society.



'photosynthesis' , 2012 fibers, papers, stainless steel, china ink

This means that my installations can be made using existing architecture or any available space in the city. These installations can be made in nature—incorporating and combining natural materials like trees. My two-dimensional works (paintings) include the same thematic images as my installations.



'photosynthesis' , 2012 fibers, papers, stainless steel, china ink

The elements of my paintings—the light and shadow in the forest, the wind, the clouds, and the waves of the ocean—are drawn from the deep emotions that I feel when I am in nature. I paint using natural pigments.



'floating world' , 2012 fibers, papers, stainless steel, china ink

The space in my paintings is created with active movement and vibrant waves of particles of pigment. These images represent endless space and time in the cosmos and the ephemeral quality of natural energies. I just want to follow these images in my work.

- Myung Gyun You







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