The Story of SuperW > The Time Machine
1) Wish for being in another place under the sunshine.
TIME DOES NOT EXIST. Time is made by people for the purpose of making they feel alive. There only had been existed natural changes for a long time. People have felt alive with the changes of nature. The problem has been started from this city where people hardly see the changes of season. Before they feel the changes of it, they started to guess of the changes through the logic of numbers of the clock
2) Wish for for a blue teddy bear. Blue Teddybears
3) Wish for better years. 4) I've got no wish
Triple Cloud, Lonelihood
So Hyun Kim
The ComplexCity This project is an exploration to find a concealed aesthetic by using the pattern formed by the roads of the city which have been growing and evolving randomly through time, thus composing the complex configuration we experience today. I perceive the city's patterns as living creatures that I recompose to form an urban image. This project which started from Seoul where I was born and have grown in, is expanding to other cities all over the world.
Experiential Typography | One Day Poem Pavilion
The results of an extensive exploration with shadows, the One Day Poem Pavilion demonstrates the poetic, transitory, site-sensitive and time-based nature of light and shadow.
Using a complex array of perforations, the pavilion’s surface allows light to pass through creating shifting patterns, which–during specific times of the year–transform into the legible text of a poem. The specific arrangements of the perforations reveal different shadow-poems according to the solar calendar: a theme of new-life during the summer solstice, a reflection on the passing of time at the period of the winter solstice. The time-based nature of the poem–and the visitor’s time-based encounters with it–allow viewers to have different experiences either seeing a stanza of the poem or getting the whole poem. All of these possible experiences are equally valuable and have meanings unique to the individual. This technique has the potential for producing particular effects and meanings within an architectural environment. Without the use of a source of power other than the sun, this project uses light and shadow to push the boundaries of communication and experiential delight.
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