Latest Print Release with Paper Monster 



La Lune framed in picture

Dimensions: Circular @ 26.5 Inches Diameter
Screenprint on Archival Paper
Signed - Rostarr 2012

Romon Kimin Yang aka Rostarr is a multi-disciplinary artist, painter, calligrapher and filmmaker living and working in Brooklyn, New York. A graduate of The School of Visual Arts where he studied experimental graphic design and printmaking, Early in his career he has managed to produce work in both the art and graphic design spheres, blurring the lines between the two.

For the past fifteen years he is more widely known for his colorful abstract polymorphic paintings, totemic iconographic characters and mostly black and white calligraphic drawings. Always creating in a spontaneous manner, he is continually striving to find freedom within style, medium and form, and building upon the iconographic visual language he terms “Graphysics”, a word that exemplifies the geometric dynamism characteristic in his work. Since 1999 Rostarr has also been a core influential member of the group Barnstormers, a collective of approximately forty artists.

Romon Kimin Yang


untitled 2012 mixed media collage 180 x 120 cm/70 x 47 inches
mixed media collage (watercolor, colored pencil, ink, paper cuts)



my nights are more beautiful than your days 2011 40 x 30 x 70 cm
mixed media (cut-out flowers, paper and acrylic on canvas)

kang seung Lee


Hot Hot Hot 48 inch x 72 inch acrylic on canvas + cut out paper 2102

Mi Ju, a young, very gifted painter from South Korea, symbolism is imbedded in mythological dream and fantasy as a means to interpret her upbringing in - and emigration from – a divided country. She connects her past and her present via a blend of traditional Korean motif and myth, along with current political and personal subject matter.

Born in South Korea, her father ran a textile factory and mother was a florist for a Buddhist temple. Massive rolls of fabric were always around her during her childhood, their colorful patterns and diverse textures affecting her visual expression. The intricate natural ornaments and bizarre creatures filling Buddhist temples also fed the artist’s imagination. She writes,



Water 54 inch x 78 inch acrylic on canvas + cut out paper 2102



Lava 36 inch x 48 inch acrylic on canvas + cut out paper 2102

I perceive nature as flat, crowded, and infinite. Often times, the world is too large to comprehend, too crowded to find a focus. Countless living organisms are packed layer by layer, interconnected with each other. My compositions develop from the contemplation of opposing concepts: ephemeral and eternal, uncensored and restrained, improvised and strategic. The work often combines both cuteness and violence. By understanding natural elements from micro to macro, fractals to flocks, and ants to people, I reflect mixed perceptions of nature through my work. Nature could be seen as controllable, appealing, and delightful, yet from a different perspective, natural elements can become overwhelming and destructive.

Born in South Korea, Mi received her BFA in painting and drawing at Yeungnam University and the San Francisco Art Institute. Later Mi went on to earn her MFA in painting and drawing at the Pratt Institute in Brooklyn. She has shown in group and solo exhibitions in Seoul, San Francisco, San Diego, Copenhagen and New York. Her work was recently acquired by the Fredrick R. Weisman Foundation of Los Angeles. Mi currently lives and works in Brooklyn.



Ash 10 inch x 8 inch acrylic on canvas + cut out paper 2102



Dirts 10 inch x 8 inch acrylic on canvas + cut out paper 2102



Pollens 10 inch x 8 inch acrylic on canvas + cut out paper 2102

Studying in Australia, San Francisco, and New York has given me insight into the various perspectives people have about nature. Native American totem poles, Aboriginal topographical art, and the complexity of psychedelic art all influence my artistic process. I look to scientific theories on the origin of life, emergence patterns, and swarm behavior to introduce more intricacy and narrative into my work.

Mi Ju

Mindscape 05 (there's no fixed top or bottom) 22" x 30" Lithography 10 prints 2011



Mindscape 02 2011 Lithograph 15 prints 13" x 9"



Guardians Oil on canvas 2008 30" x 40"



M-00 2012 22" x 20" image size, more than 1.5” borders
Screenprint on paper 5 prints

Born In Seoul, South Korea. Live and work in Queens, NY.

Jiyoun graduated MFA Studio Art program at Brooklyn College, NY (2010-2012) She was awarded Teaching Assistant Fellowship, Charles G.Shaw award, and on the Dean's List. She participated LMCC ASI program and VLA Law School for Visual Artists (2011), was nominated as NYC Urban Canvas finalists (2010), curated group show ‘Hybrid Life Form’ (2011). Her works are shown at PizzArte, Jamaica Art Center, Recession Art Center, Gallery Ho, Gallery ELL, ArtGate, Maum, InRivers, Arario, RabbitHoleStudio Gallery, the Bowery Club and more

Ji youn Lee

Untitled (X-ray Paintings Diptych), 2009,
Oil on canvas on archival ink jet, 72 x 54 inches each

Untitled (X-ray Paintings Diptych), 2009,
Oil on canvas on archival ink jet, 72 x 54 inches each

Michael Joo opened at Anton Kern Gallery, New York

Anemone, 2009, Bronze, patina and enamel paint, steel base, 73 x 50 x 34 inches



Untitled 2009 Roe deer skull, graphite impregnated polyurethane resin, pencil
11 x 3 1/2 x 8 1/2 inches

Stripped (Instinctual) 2005
Urethane foam, epoxy resin, enamel paint, hand-built epoxy, glass, wood
185 x 87 x 170 cm



Present for you 90 x 193 cm Acrlyic on canvas 2009



Present 130 x 97 cm Acrlyic on canvas 2009



Floating_B 91 x 73 cm Acrlyic on canvas 2009



Floating_B  100 ×100 cm Acrylic on canvas 2010

The basis of my work starts from the curiosity I have towards why people behave the way they do and why certain things happen.

I believe that the combination of tradition, habits, culture, religion and many other social values are the stepping stones in creating one person or one nation’s history.
In order to understand the world we live in, I habitually pull important points from my surroundings to create rules. With these rules I come up with a formula that helps me to remember one aspect of life. I then create numerous formulas that interconnect with one another to make up the many layers of our everyday lives.

This is the process I use with my paintings, I create layer upon layer to create a multidimensional work that is all connected with one another. There are various shapes that are hidden in the works and if looking carefully one can see that even these shapes can all connect with one another; my work, in essential, is a landscape of all of these shapes and layers. - Park, EunYoung



Nomade 1 127 x 157 cm framed chiness ink on paper 2011



Nomade 2 127 x 157 cm framed chiness ink on paper 2011



Nomade 3 127 x 157 cm framed chiness ink on paper 2011

Jung Yeon was born in 1979 in Gwang ju, South Kore. After studying in the Ecole Nationale Supérieure des Beaux-Arts of Paris, now she lives and works in France.

Jung Yeon Min






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