Wear It! Feel It! 14 x 5.0 x 3.0 cm 2007 Wool, Cactus, Copper

Segmented Life brooch

Growth Series
Fine silver, Wool, Wood, Horse hair 42 x 14.5 x 6.5 cm 2009

Growth Series

Mushroom Series

Wood, Copper, Plastic, Sterling silver, Sand, Natural pigment 10 x 12.5 x 4.5 cm

Wood, Plastic, Copper, Sterling silver, Natural pigment 13 x 11.5 x 6 cm

Seashell from Miyazaki, Copper, Sterling Silver, Plastic, Natural Pigment, Stainless steel
8.5 x 12.5 x 6.5 cm

Natural forms, processes and movement inspire me to make jewelry.  When a natural form emerges from its environment, it follows no exact model as it becomes visible.  Forms from nature have mysterious origins which are incomprehensible to the human mind.  

We try to understand how and under which circumstances they acquire a life yet the creation of these forms remain invisible to the human eye.  My jewelry investigates the mystery of creation, capturing the moment in which the void and fragment become substance.

Eun Yeong Jeong



5.Folding necklace


Seung-Hea Lee received her MFA from Rhode Island School of Design in 1998. She was awarded the RISD Award of Excellence upon graduation. Before having her first solo exhibition at Sienna Gallery in 2002 her work was featured in group exhibitions around the world including Marzee Gallery,

The Netherlands; the Museum of Art and Design, New York; and The Hand and Mind Gallery, Seoul, Korea. She currently lives in Providence where she is a faculty at Rhode Island School of Design. Seung-Hea Lee's work has been featured in American Craft, Metalsmith Exhibition in Print and Jewelers Quarterly and included in Lark Books jewelry series.

Lidded Jars

Beakers, stoneware

Clare ConradMy work is focused on a range of functional ware where I explore traditional and contemporary aesthetics. I use porcelain and also stoneware as the main material to produce my work. The making process is a continual challenge for me, also a personal investigation into form, shape and volume.

Sun Kim

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